strangers on a train tennis match

Criss-cross. [6] In 2012, The Guardian praised the film writing "Hitchcock's study of the guilt that taints the human condition is just one cinematic masterstroke after another". Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. pickup than a chance encounter. The two sets of feet in the title sequence match each other in motion and in cutting, but they immediately establish the contrast between the two men: the first shoes "showy, vulgar brown-and-white brogues; [the] second, plain, unadorned walking shoes. Certainly the casting of Farley Granger as Guy and Robert Walker as Bruno "seductiveness" in the American print. It was not enough for Hitchcock to construct merely a world of doubles even contrasting doubles in a strict polar-opposite structure; for Hitchcock, the good-and-evil, darkness-and-light poles "didn't have to be mutually exclusive. # travel # wine # glass of wine # modern love # train travel. strangers on a train. No Highsmith cameo Reviewed in the United States on June 2, 2022. [13] With treatment in hand, Hitchcock shopped for a screenwriter; he wanted a "name" writer to lend some prestige to the screenplay, but was turned down by eight writers, including John Steinbeck and Thornton Wilder, all of whom thought the story too tawdry and were put off by Highsmith's first-timer status. Especially with Bruno, who held the movie together as he did the book." The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. He makes an British version of the film -- cutting down the intensity of the they're now both behind bars as he says, "You've got me acting like I'm a How perfect for a playful proposal: I'll kill yours, you kill mine. The novel has been adapted multiple times, most famously by Alfred Hitchcock in his 1951 film. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker . It was Hitchcock, not Tiomkin, whose idea brought the four evocative numbers[8] "The Band Played On", "Carolina in the Morning", "Oh, You Beautiful Doll", and "Baby Face" to the soundtrack: In one of Hitchcock's most explicit operatic gestures, the characters at the fateful carnival sing the score, giving it full dimension as part of the drama. Let me remind you that even the most unworthy of us has a right to life and the pursuit of happiness. Hitchcock wanted the phone in the foreground to dominate the shot, emphasizing the importance of the call, but the limited depth-of-field of contemporary motion picture lenses made it difficult to get both phone and women in focus. "[22] While Guy and Bruno fight, the ride runs out of control until it tears itself to pieces, flinging wooden horses into the crowd of screaming mothers and squealing children. Some audience feedback arriving at Jack Warner's office condemned the film for its sordid story, while just as many others were favorable. The 1987 film Throw Momma from the Train by Danny DeVito was inspired by Strangers on a Train, which is also watched by DeVito's character in the film.[71][72]. A 1951 Psychological Thriller film directed by Alfred Hitchcock, based on a novel of the same name by Patricia Highsmith (of Ripliad fame), starring Farley Granger and Robert Walker. The theme of doubles is "the key element in the film's structure,"[46] and Hitchcock starts right off in his title sequence making this point: there are two taxicabs, two redcaps, two pairs of feet, two sets of train rails that cross twice. Anne's sister Barbara says that the police will think that Guy is the murderer since he has a motive. The website's consensus reads, "A provocative premise and inventive set design lights the way for Hitchcock diabolically entertaining masterpiece. Strangers On A Train is about two men, Guy Haines and Bruno Anthony, who meet on a train by accidentally knocking shoes. Dreadful business. conversation -- which ends on an ambiguous note, with Bruno trying to get Guy man becomes the obvious suspect in the strangulation of his wife. Shipping cost, delivery date, and order total (including tax) shown at checkout. excellent suspect because of the genius of the actual killer's original plan: Although Hitchcock admitted to undercranking the shot (artificially accelerating the action),[34] it was not a trick shot: the man actually had to crawl under the spinning ride, just inches from possible injury. Warner Bros financial information in The William Shaefer Ledger. The film initially received mixed reviews but has since been regarded much more favorably. brainy criminals who functioned not out of passion but from careful [4] Hitchcock said that he originally wanted William Holden for the Guy Haines role,[5][6] but Holden declined. Amateur tennis star Guy Haines wants to divorce his promiscuous wife Miriam so he can marry Anne Morton, the daughter of a US Senator. [7] The director found her "bristling" and "lacking in sex appeal" and said that she had been "foisted upon him. But perhaps the most memorable music in Strangers is the calliope music,[8] heard first at the fairground and again, later, when Bruno is strangling Mrs. Cunningham at Senator Morton's soire, and experiences his unfortunate flashback and subsequent fainting spell. The has even been reported in the movie's lore (all the attention goes to Buy it! Guy [48], Roger Ebert wrote that "it is this sense of two flawed characters one evil, one weak, with an unstated sexual tension that makes the movie intriguing and halfway plausible, and explains how Bruno could come so close to carrying out his plan."[4]. "[35], The final scene of the so-called American version of the film has Barbara and Anne Morton waiting for Guy to call on the telephone. Strangers on a Train marked something of a renaissance for Hitchcock, after several years of low enthusiasm for his late-1940s output,[25] and he threw himself into the micromanagement of some of its production. Believing that Guy is trying to escape, a police officer shoots at him, but instead kills the carousel operator, causing the carousel to spin out of control. revolving ride to get to the controls. Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). with him than with Granger's playboy. "[61], In contrast, modern reviews have been overwhelmingly positive. This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. Robert Walker is uncanny. "[8] None was more demanding than Bruno's strangulation of Miriam, shown reflected in her eyeglass lens: "It was the kind of shot Hitchcock had been tinkering with for twenty yearsand Robert Burks captured it magnificently. [69] A two-disc DVD edition was released in 2004 containing both versions of the film, this time with the "British" version titled "Preview Version" (102:49 long) and the "Hollywood" version titled "Final Release Version" (100:40 long). Hecht suggested his assistant, Czenzi Ormonde, to write the screenplay. is a plot made of ingenuity and amorality, based on the first novel by Patricia Unreliable citations may be challenged or deleted. I n the latest Oscar Isaac vehicle, Mojave, director William Monaghan recycles the familiar tale of one man's seemingly chance encounter with a menacing stranger - a trope that was perfected more than six decades ago by Alfred Hitchcock in his 1951 masterpiece Strangers on a Train. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. Strangers on a Train movie clips: http://j.mp/1yz9FQeBUY THE MOVIE: http://j.mp/UinqkeDon't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6prCLIP DESCRIPTION:Guy (Farley Granger) notices a sinister face watching him from the crowd.FILM DESCRIPTION:In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. In a scene where Guy goes The hero plays a championship tennis match, knowing all the while that the villain is moving deliberately toward the execution of a piece of dirty work which will leave the hero hopelessly incriminated. There are two sets of two detectives in two cities, two little boys at the two trips to the fairground, two old men at the carousel, two boyfriends accompanying the woman about to be murdered, and two Hitchcocks in the film. Roman's role as a nice, understanding girl is a switch for her, and she makes it warmly effective. [46], Hitchcock carries the theme into his editing, crosscutting between Guy and Bruno with words and gestures: one asks the time and the other, miles away, looks at his watch; one says in anger "I could strangle her!" Bruno is rather a child. "[12] Chandler also felt that the original novel's plot was superior to Hitchcock's version, and argued that it should be restored. only the whites of his eyes showing. Farley Granger, Roman, Ruth, Alfred Hitchcock, Hitchcock, Patricia, Leo G. Carroll, Lorne, Marion, Walker, Robert. Reviewed in the United States on October 15, 2007. In the casting of Anne Morton, Jack L. Warner got what he wanted when he assigned Ruth Roman to the project, over Hitchcock's objections. Guy, on the other hand, shows little interest in eating the lunch, apparently having given it no advance thought, in contrast to Bruno, and he merely orders what seems his routine choice, a hamburger and coffee. "[13] In the novel, Guy is pursued and entrapped by a tenacious detective.[17]. irresistible -- especially since Guy has a motive to murder his wife, was seen + a very good 36 min documentary on the film ,a 7 min feature with 'murder victim' Laura Elliot, an 11 min 'Hitchcock family' feature and a 12min appreciation by director/fan M.Night Shyamalan- so all in all a good package of a film that's always worth another viewing,that's currently available at a good prices. is crucial. In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. an intriguing note from a user of the Internet Movie Database, claiming to have [46], This doubling has some precedent in the novel; but more of it was deliberately added by Hitchcock, "dictated in rapid and inspired profusion to Czenzi Ormonde and Barbara Keon during the last days of script preparation. "[59], Conversely, Bosley Crowther of The New York Times criticized the film: "Mr. Hitchcock again is tossing a crazy murder story in the air and trying to con us into thinking that it will stand up without support. It is one of the moments in Hitchcock's work that continues to bring gasps from every audience and applause from cinema students. "[28], Principal photography wrapped just before Christmas, and Hitchcock and Alma left for a vacation in Santa Cruz,[26] then in late March 1951, on to St. Moritz, for a 25th anniversary European excursion. The premise is fascinating because it was far more intricate than I had been led to believe. He is seen carrying a double bass as he climbs onto a train. Anne visits Bruno's home and tries explaining to his befuddled mother that her son is a murderer. And the chocolate ice cream is probably what he thought about first. Although Hitchcock "[4] Blurring the lines puts both Guy and Bruno on a good-evil continuum, and the infinite shades of gray in between, became Hitchcock's canvas for telling the story and painting his characters. during an early meeting involving Guy and the senator's whole family; she keeps "The scene gives a beautifully exact symbolic expression to Guy's relationship with Bruno and what he stands for. Screenshots. "[29], Hitchcock was, above all, the master of great visual setpieces,[32] and "[p]erhaps the most memorable sequence in Strangers on a Train is the climactic fight on a berserk carousel. [18], There was not much time though less than three weeks until location shooting was scheduled to start in the East. Amateur tennis star Guy Haines wants to divorce his vulgar and unfaithful small-town wife Miriam, in order to be able to marry the woman he loves. chance again.) his best films, including "Strangers on a Train" (1951), in which a [12], Hitchcock then tried Raymond Chandler, who had earned an Oscar nomination for his first screenplay, Double Indemnity, in collaboration with Billy Wilder. station with a note asking the sergeant to lock him up until called for. [41] He was also photographed adding the letter L to Strangers on the official studio poster for the film,[26] thus changing the word to Stranglers. A tennis player, Guy HAINES, is about to finalize the divorce between him and his promiscuous wife. Psychotic mother's boy Bruno Anthony meets famous tennis professional Guy Haines on a train. Bruno's [21] "To all appearances Guy is the all-American stereotype, an athlete, unassuming despite his fame, conservatively dressed," wrote Carringer; he is "a man of indeterminate sexual identity found in circumstances making him vulnerable to being compromised. thriller with odd little kinks now and then. She's behind Miriam in the early He knows that Guy is about to divorce his wife, and that he is also in love with Anne, the daughter of a US Senator. [9] The amusement park exteriors were shot there and at an actual Tunnel of Love at a fairground in Canoga Park, California. It is a twisting story of a male-on-male relationship that Patricia Highsmith often proffered (same-sex, male or female) in her best novels like this one. "[21] The more the film resolved in his mind's eye, the more he knew his director of photography would play a critical role in the scenes' execution. But Miriam does not want the divorce, and instead plans to live off Haines's money. After winning a tennis match, Guy evades the police escort and heads for the amusement park to stop Bruno. Reviewed in the United States on January 10, 2023. The first encounter between Bruno and Guy on the train is longer, and features a more obvious homoerotic flirtation by Bruno; In the scene where Guy sneaks out of his apartment to go to Bruno's house, a shot of him opening a drawer to get the map Bruno sketched is added; The very last scene in the US version, which involves a clergyman, was deleted. Strangers on a Train Preview Version (SD; 1:42:57). His best performance and best casting. If you haven't seen it, it's time to change that! In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. This audiobook version of the classic Hitchcock film is an excellent hour of suspense, tension - and murder! Theatrical Trailer (SD; 2:34). This ending, however, was not acceptable to Warner Bros.[28], In 1997, Warner released the film onto DVD as a double sided disc, with the "British" version on one side, and the "Hollywood" version on the reverse. This piece of film he then enlarged and projected onto a vast screen, positioning actors around and in front of it so that the effect is one of a mob of bystanders into which plaster horses and passengers are hurled in deadly chaos. whose conversation shows a detailed knowledge of Guy's private life. Ormonde hunkered down with Hitchcock's associate producer Barbara Keondisparagingly called "Hitchcock's factotum" by Chandler[19]and Alma Reville, Hitchcock's wife. So Hitchcock had an oversized phone constructed and placed in the foreground. said in Francois Truffaut's book-length interview that he didn't much like weaker characters, while the right is for characters who are either good, or there's the famous sequence involving a runaway merry-go-round, on which Guy Cast & Crew Read More Alfred Hitchcock Director Farley Granger Guy Haines Mr. Granger appears by arrangement with Samuel Goldwyn Ruth Roman Anne Morton Robert Walker He narrowed the geographic scope to the Northeast corridor, between Washington, D.C. and New York the novel ranged through the southwest and Florida, among other locales. [43] First of all, she was not up there alone: flanking her were the actors playing Miriam's two boyfriends "and I have a picture of us waving. [9], Kasey Rogers (credited as Laura Elliott) noted that she had perfect vision at the time the movie was made, but Hitchcock insisted she wear the character's thick eyeglasses, even in long shots when regular glass lenses would have been undetectable. They would both have airtight alibis for the time of the crime, and To the man committed to a career in politics, Bruno represents a tempting overthrow of all responsibility. The police assign an escort to watch him. The more you watch, the more you'll see. [20], There was one point of agreement between Chandler and Hitchcock, although it would come only much later, near the release of the film: they both acknowledged that since virtually none of Chandler's work remained in the final script, his name should be removed from the credits. The U.S. Senate was busy investigating the suspicion that 'moral perverts' in the government were also undermining national security going so far as to commission a study, Employment of Homosexuals and Other Sex Perverts in Government. According to Bruno, it's all to be read in the newspapers, especially the gossip concerning Guy's relationship with the daughter of a United States senator, and the ongoing drama with Guy's soon-to-be ex-wife, a good-time gal who's pregnant with another man's child. Built on the cummins singapore email address, Animal Adventure Little Luxuries Premium 38 Jumbo Plush Dino. strangers agrees to it. [38], Tiomkin's contrasting musical themes continued throughout the film, delineating two characters with substantial differences: "For 'Guy's Theme', Tiomkin created a hesitant, passive idea, made-to-order music for Farley Granger's performance. BBC Radio 4's Afternoon Play broadcast on 29 September 2011 was Strangers on a Film by Stephen Wyatt, which gives an imagined account of a series of meetings between Hitchcock (Clive Swift) and Raymond Chandler (Patrick Stewart), as they unsuccessfully attempt to create the screenplay for Strangers on a Train. [70], Strangers on a Train was adapted for the radio program Lux Radio Theatre on two occasions: on December 3, 1951, with Ruth Roman, Frank Lovejoy, and Ray Milland, and on April 12, 1954, with Virginia Mayo, Dana Andrews, and Robert Cummings.[44]. similar eyeglasses; Bruno is playfully demonstrating strangling techniques at a villains, and Hitch agreed with Truffaut that the audience sympathy was more Strangers On a Train (1951) In Alfred Hitchcock's thriller - an adaptation from Patricia Highsmith's first novel about amoral murderers who 'traded' or 'exchanged' crimes: the opening sequence introduced the duality of the two 'strangers on a train' with their distinctive contrasting shoes: - Bruno Antony (Robert Walker), a . "[53], Hitchcock continues the interplay of light and dark throughout the film: Guy's bright, light tennis attire, versus "the gothic gloominess of [Bruno's] Arlington mansion";[46] the crosscutting between his game in the sunshine at Forest Hills while Bruno's arm stretches into the dark and debris of the storm drain trying to fish out the cigarette lighter;[54] even a single image where "Walker is photographed in one visually stunning shot as a malignant stain on the purity of the white-marble Jefferson Memorial, as a blot on the order of things. Chandler completed a first draft, then wrote a second, without hearing a single word back from Hitchcock; when finally he did get a communication from the director in late September, it was his dismissal from the project.[17]. Guy wants Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. The + a trailer. [36] Although that account continues to be published in books to this day, "it just wasn't true", according to Patricia Hitchcock O'Connell. In 1975, he won the Pulitzer Prize for distinguished criticism. In accordance with the cautious censorship guidelines of the period, Hitchcock would later tame these elements of Walker's memorable performance by trimming and altering certain scenes, so the differences between the original and prerelease versions provide an illuminating illustration of censorship's effect on the story's thematic intensity. [22] "Low-keyed, mild mannered", Burks was "a versatile risk-taker with a penchant for moody atmosphere. His gaze falls upon Barbara, whose appearance resembles Miriam's. This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. As a plot, this has a neatness that Hitchcock must have found Some people are better off dead.") Strangers on a Train previewed on March 5, 1951 at the Huntington Park Theatre, with Alma, Jack Warner, Whitfield Cook and Barbara Keon in the Hitchcock party[26] and it won a prize from the Screen Directors Guild. Please help this article by looking for better, more reliable sources. Walker's role has extreme color, and he projects it deftly. The film's climax, which takes place on a carousel, is one of the most complex scenes ever shot by the director. flirtatious and seductive, sitting too close during their first meeting, and Guy nervously steps into the shadows with Bruno, literally behind the bars of an iron fence; "You've got me acting like I'm a criminal", he says. famous sequences in "Strangers on a Train." Also in the cast are Ruth Roman, Leo J. Carroll, Patricia Hitchcock (Alfred's daughter), Marion Lorne, and Kasey Rogers. stunt man could have been killed; Hitchcock said he would never take such a Interesting more as an "intellectual exercise" than anything else, but indispensable for those interested in seeing how Hitchcock continued to shape his films after an initial cut. The rest was complete by early November. Strangers on a Train Blu-ray, Special Features and Extras: Commentary by Peter Bogdanovich, Peter Benchley, Alfred Hitchcock and many more. A very good choice for train food. Off-handedly, he suggests to Guy that they trade murders: Bruno will kill Guy's troublesome wife, and Guy will eliminate Bruno's despised father. manner is pushy and insinuating, with homoerotic undertones. compartment, Bruno reveals that he wants his father dead, and suggests a "[48] They also demonstrate Hitchcock's gift for deft visual storytelling: For most of the film, Bruno is the actor, Guy the reactor, and Hitchcock always shows Bruno's feet first, then Guy's. He also showed intense interest in a seldom-considered detail of character delineation: food. Hitchcock had a crew shoot background footage of the 1950 Davis Cup finals held August 2527, 1950 at the West Side Tennis Club in Forest Hills, New York. Between the two versions of the film, the "British" version most prominently omits the final scene on the train. Bruno wants to kill his father, but knows he will be caught because he has a motive. [63], David Keyes, writing at Cinemaphile in 2002, saw the film as a seminal entry in its genre: "Aside from its very evident approach as a crowd-pleasing popcorn flick, the movie is one of the original shells for identity-inspired mystery thrillers, in which natural human behavior is the driving force behind the true macabre rather than supernatural elements. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. Full content visible, double tap to read brief content. "[8] Perhaps it was the circumstances of her forced casting, but Roman became the target of Hitchcock's scorn throughout the production. The film's opening conversation scene on the train is like a tennis match in which Guy serves up one weak lob after another for Bruno to put sway. Guy goes to the Mortons' home, where Anne's father informs Guy that his wife has been murdered. These events were the background to their work, while Hitchcock, Cook, Ormonde and Keon were preparing the script for Strangers, and film scholar Robert L. Carringer has written of a political subtext to the film. --Jeff Shannon, Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. Is he dishonest? Interesting premise but really poor pacing, Reviewed in the United States on January 5, 2023. rotate in the same direction -- except one.). Man on a train is about evil and destiny hiding behind the corner, about life changing in a bit because threat is waiting for us, and it's a fantastic example of great storytelling developing a simple yet effective subject: two men meets on a train, and one word too many could change everything. upstairs in the dark in Bruno's house, Hitchcock told Truffaut, he hit on the Guy Haines (Granger), an amateur tennis star, chances to meet the eccentric Bruno Anthony (Walker) on a train. Addeddate 2021-02-10 15:58:01 be accused of a crime he did not commit. But, for all that, his basic premise of fear fired by menace is so thin and so utterly unconvincing that the story just does not stand. Yet both men, like so many of Hitchcock's protagonists, are insecure and uncertain of their identity. Hitchcock himself designed Bruno's lobster necktie, revealed in a close-up to have strangling lobster claws,[26] and "he personally selected an orange peel, a chewing-gum wrapper, wet leaves, and a bit of crumpled paper that were used for sewer debris"[22] in the scene where Bruno inadvertently drops Guy's lighter down the storm drain. Patricia, as the outspoken young Barbara Morton, kid sister of Guy's fiance As with Shadow of a Doubt, Strangers on a Train is one of many Hitchcock films to explore the doppelgnger theme. Summaries A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. It looks like WhatsApp is not installed on your phone. [13] Treatment writer Cook used Guy to make the film "a parable quietly defiant of the Cold War hysteria sweeping America. One day, he meets a stranger named Bruno on a train going back home. His best performance and best casting. and Bruno struggle as a carnival worker crawls on his stomach under the This fear is at the heart of many of Best known is the one The creepiness factor holds up very well. Bruno Antony thinks he has the perfect plot to rid himself of his hated father, and when he meets tennis player Guy Haines on a train he thinks he's found the partner he needs to pull it off. Now look at how Alfred Hitchcock reinforces the duality of human nature. DVD Features: . audiences would sense qualities in the actors that didn't need to be spelled Granger is excellent as the harassed young man innocently involved in murder. The I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. The screen adaptation differed from Highsmith's book in that Haines is given a happy ending, having . Over lunch in his private Burks was an exceptionally apt choice for what would prove to be Hitchcock's most Germanic film in years: the compositions dense, the lighting almost surreal, the optical effects demanding. "[53] Bruno tells Guy what he has done and gives him the glasses. After Guy arrives, he and Bruno fight on the park's carousel. One of my top 50 movies, never seen on a big screen. # travel # kit harington # modern love # big day # train travel. Barbara Morton: From what I hear she pursued it in all directions. The film was later made available on Blu-ray in 2012 with the same contents as the 2004 DVD edition. So Hitchcock had an oversized phone constructed and placed in the William Shaefer Ledger made of ingenuity amorality. Did not commit reveals that he feels trapped by his hated father Jonathan... As the 2004 DVD edition Bruno tells Guy what he has a motive a happy,... Shows a detailed knowledge of Guy 's private life Peter Bogdanovich, Peter Benchley, Alfred in! 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The cummins singapore email address, Animal Adventure Little Luxuries Premium 38 Jumbo Dino! Until his death in 2013 Blu-ray in 2012 with the same contents as the 2004 DVD....